Barbara Kruger once defined art as “the ability to show and tell, through a kind of eloquent shorthand, how it feels to be alive.” Testing that claim, How It Feels to Be Alive braids criticism with personal narrative to consider art’s intimate effects and how it might help us find clarity in an uncertain world.
Looking closely at five artworks and the context in which each was made—often drawing on personal conversations with the artists—Megan O’Grady examines the work’s rippling impact, implicating sometimes unexpected lineages and genres. How does art expand and redirect our imaginations and attention? When bottom-line or nihilistic thinking dominates our public sphere, what meanings and alternatives does it offer? A vital call to engage deeply, to see in new ways, and to rethink all that we take for granted, How It Feels to Be Alive inspires and exhorts, providing a template to think through the knottiest problems in our culture, ourselves, and the connections between the two.
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